'Stay drunk on writing so reality cannot destroy you' Ray Bradbury   Dear Tom, It has been a while. I forget whose turn it is, but for sake of ease I shall both ask and answer my own question - a simple one. Where am I? It is a device, more than a question, to uncork my tongue as I sit here, in Paris's Gare De Lyon. Life shakes its stuff around me, and I shudder inside with the wearines…

The opposite of Ultimate Improv's NYC Grand Central Station freeze, with a wink to T-Mobile's Liverpool Street Station antics. To promote a Flemish reality TV show.

We were chatting the other night about how the Death Star, for all its evil genius as a total killing machine, was really badly designed. I mean from a defensive point of view – a huge open port, with no gun turrets inside, leading to a big self destruct button. And Darth, despite all his Jedi training, is a pretty lousy pursuer of Luke. So we wondered if, at the end of Episode 3…

Well this festival left me reinvigorated for what a film fest can be. Excuse me if I spiral off into hyperbole, but the programme, the people and style of fest just don't seem to fit in with the way that everything else seems so hyper-defined and funding-box-ticking, it was just programmed really imaginatively and diversely. It felt instinctive and well informed. In short, totally cool.   I…

Jon H from Finland at JonHs.net has pulled together a remarkable list of 9-11 related documentaries online. All are free to watch and most are created by unfunded groups and individuals. There's a few extreme conspiracy theories but it's is still an impresive collective example of citzen filmmaking. So much seems to have happened in the five years since Tom ran up the stairs…

well....its quite a mad story.... it all started when I was planning to make a short film -'eating out' - in August 2003... managed to get my actors, crew, location, camera, lights etc all via favours but still needed £200 or so to feed everyone and get us all through the 2 day shoot.... which was a problem until a friend called me saying she had a new job as cre…

It was an inspired idea – creating a feature around the ultimate fantasy of a girl from village India dreaming of Bollywood stardom and to fulfill it, running away with The Truck of Dreams, the mobile cinema that rumbles around the dirt roads that pass for off-the-beaten-track in rural India. It was a dream also for London-based director Arun Kumar, a first feature with global themes, financed a…

Sydney Pollack, director, actor and writer, has passed away from cancer aged 73, and surrounded by his family. Link to LA Times obituary , Wikipedia page, IMDB page. Pollack was a friend and business partner to Anthony Minghella, who also sadly passed away earlier this year. Back in 2001, filmmaker and blogger Tim Clague caught the two legends in conversation at BAFTA, republished below…

  Bader Ben Hirsi could make quite a screenplay out of his experience directing the first feature film ever made in Yemen, the ancient land at the tip of the Arabian Peninsula. His results though, have impressed the Arab world, who are bound to be his sternest critics. Ben Hirsi's film has just scooped the Grand Prize at the Cairo Film Festival. James MacGregor, who has spent ma…

Two and a half weeks may be a little late to begin writing up the Open Video Conference, but then my first essay, penned in the few days after, discussed Pirate Bay at some length and even mentioned Michael Jackson and Brian Newman and so is now largely irrelevant. But with our new Tweeting Netwitbutions, perhaps this is the time to sign up fully for the more anti-knee-jerk Slow Blog Movement - i…

Producers are different things to different people, making this question difficult to answer. There are no detailed job descriptions and no two producers handle their jobs in exactly the same way. Is it any wonder that  both audiences, and many 'insiders', are bewildered by the proliferation of producer credits in films? The producer credit has often…

  How Do I Sell My Film Part 2 - Delivery Format Netribution and film distributors WYSIWYG have joined forces to present on-line WYSIWYG's Filmmaker's Toolkit.... Okay. So you now know who will watch your film. Well, that means you can also estimate how many people you have as potential audience. That gives you an idea of how much money you can spend. It also tells yo…

Just before lunch yesterday I read of a report by the WWF that the number of species on the planet has reduced by 31% in the last 35 years. If the planet continues at its current pace of using natural resource, by 2050 two earths would be needed to meet current demand, with an almost inevitable consequential environmental collapse. Then while munching away on my fried eggs on toast, I read…

  How much do movie stars contribute to box office success? Harvard Business School professor Anita Elberse researched the notion of "star power" to better understand how A-list players contribute to Hollywood's bottom line.   We can all understand at some level that stars in the worlds of film, sports, and even business create results. If you want big box offi…

  Owen Thomas the producer (and now distributor) of the UK's first DV feature, the acclaimed One Life Stand, directed by May Miles Thomas, offers advice from his foray into DVD distribution on How To Sell Your Film (Not Your Soul)           Six years ago everyone was talking DIY filmmaking - how digital tools would revol…

 The first time. I can never forget that. Shunted to the outskirts of town to watch Robert LePage juggle love and war in his heartstopping multimedia devised play the Seven Streams of the River Ota, which would eventually run at 7 hours by the time I last saw it at the National, years later. Stuart Lee and Richard Herring in pre Jerry Springer the Opera days chumming with Jenny Eclair…

Writer, actor, director, conscientious objector, uncompromising activist and - by all accounts - much loved and utterly decent person, Harold Pinter was not just a great contributor to our times, but a real inspiration. In the below video he talks about art, truth, politics and the Iraq war, as he accepted the Nobel Prize for Literatrue in 2005. {myspace}2574205{/myspace} "the…

When I was very young I was never as excited by films as I was by going to the theatre - it wasn't until my teens that I started geeking out on films.  The only only exception to that is Buster Keaton, I watched anything and everything by that man. The fact that he directed and wrote and stared in his films was one thing. But that he did his own stunts -  that made him a God…

It is so easy to forget the human stories behind the daily news headlines. BoingBoing has pointed to a couple of great films appearing this week. One from the BBC sees Rageh Omaar, who after a year of wrangling got to film freely inside Iran, and which shows a world a million miles away from the normal footage of angry people protesting. The other, more disturbing yet similarly touching series…

Method acting is a technique used by many leading Hollywood actors. Everybody from De Niro to Hoffman uses it. One of the leading teachers of method acting working today is Arnold Bloomberg of the Bloomberg Academy of Drama in New York. Dr Andrew Cousins, went to learn more. AC: What is your fundamental approach to acting? AB: For me acting isn't just about pretending to be somebody else. It's…

  At a time when international cinema and DVD revenues are declining and TV audiences are dwindling, why would a young company spend time signing up distribution rights for all sorts of independent content from all over the world? The answer might elude, confuse or scare many of the traditional media giants, but this is exactly what Wysiwyg Films is doing - and why? Because they looked t…

  Before editing software was developed and even before there were any edit suite controllers, video tape was edited by manually slicing it by people using very sharp razor blades. This was a process known as Kamikaze editing. Early editors also used a microscope, a cutting block, magnetic developing fluid and degauzed (demagnetised) razor blades. For a clean edit, the tape had to…

The new Tax Relief system for British films offers producers up to 20% of their budget in cash. The system replaces Section 42 and 48 which offered a tax break of up to 40% and also introduces a host of quite complex new clauses to limit and define which films are eligible for relief. Love it or hate it, it is a piece of legislation which will effect not just which films get made in the UK in th…