Sheffield Doc/Fest wound up on Sunday night after 5 full-on days. Capturing a flavour of the event overall did mean sacrificing time spent in screenings, but I caught two films up for a Special Jury Award; Clio Barnard’s The Arbor (premiered at London Film Festival in October) and Jeff Malmberg’s Marwencol (premiering in the UK at Sheffield). Neither won, although Barnard’s film did get the…

"This is a short film about my job as a Projectionist. I am quite proud of this film, mostly because I’m so proud of my job – it seems like a fulfilment of my childhood romantic notions of what I wanted to be when I grew up. Nonetheless what it most discernibly omits is how truly magnificent all the other staff are who work there too. It is dedicated to the other projectio…

As the film industry makes record box office glorifying 'war porn' in 300, its easy to forget the reality that we as voters have some impact on. Apologies for bringing politics in, but tomorrow in a rushed vote, at least five years sooner than it needs to be taken, the government, supported by the Conservatives, are likely to vote to renew Trident, Britain's nuclear weapon. To quote…

With more people in Britain now watching TV on digital sets rather than analogue, this seems a fitting time to revisit what the BBC's digital chief had to say about the future for the industry that he foresaw. This is the text of the speech by Ashley Highfield, Director of BBC New Media & Technology, at the Royal Television Society on Oct 6 2003   I was reading an article…

Writer, actor, director, conscientious objector, uncompromising activist and - by all accounts - much loved and utterly decent person, Harold Pinter was not just a great contributor to our times, but a real inspiration. In the below video he talks about art, truth, politics and the Iraq war, as he accepted the Nobel Prize for Literatrue in 2005. {myspace}2574205{/myspace} "the…

Similar to the 'video essay' Iran a Nation of Bloggers by Kate Tremills at the Vancouver Film School,  comes this effective new short animation/essay, Wake Up, Freak Out – then Get a Grip, from Leo Murray and the Royal College of Art about the planetary tipping point. From his website : It’s much, much later than you think This really isn’t about polar bear…

“Obscurity is a far greater threat to artists and authors than piracy” Tim O'Reilly Copyright law was originally created to settle a dispute between English and Scottish publishers in the early 18th Century and has grown today into a fundamental aspect of the creative 'business'. Some would argue that the development of copyright law has been driven by the needs of distributors to protect invest…

While there is some hint that the new British coalition government will follow through on the Lib Dem policy of rescinding the rushed and hated Digital Economy Bill to let it get full and appropriate scrutiny, I would imagine that many new cabinet members are grateful to Ben Bradshaw and Lord Mandelson for pushing through an unpopular piece of legislation as a parting gift and saving them from ha…

I stumbled across some of my old writing still online on Netribution from over two decades years ago that was so bad I wanted to cancel myself before anyone else had a chance to. I was scrolling down my old year 2001 design for old raw HTML Netribution pages untouched in 20 years, and still looking much like it did then (other than screens are much bigger so there's a lot of left/right padding)…

"You see he didn't start out as a robot. He was a policeman who was gunned down so naturally they transplant his head onto a robot body to keep him alive and turn him into Cybocop. But the thing they forgot was his balls, isn't it? He thought with his balls. They controlled his instincts. "Do I shoot the criminals? What are my balls telling me?" That was how he operated. Without them he's just a…

Aimed at first time visitors, Shizana Arshad and Laura Horowitz at 6 Degrees Film have put together a Cannes Guide containing information on the festival itself, how to submit your film and obtain accreditation along with useful numbers and info... What do you need to know about attending the Cannes Film Festival? What should you expect? Who gets accreditation? Find out the answers to…

So, Digital and Culture Minister Ed Vaizey has backed MP Clare Perry's calls to create a firewall of Britain to support the seemingly reasonable aim of protecting children from pornography (and potentially keeping adults from materials classified under the Obscene Publications Act). With the web now moving further towards the TV, the suggestion is not much of a surprise. While it's tempting…

It has often been said that men age and women mature. However women, like wine, tend to mature in one of two ways. They either ripen into something full-flavoured, with lots of body and a myriad of intriguing flavours or they turn onto an unpleasant, acidic vinegar. It's further said that there are no good parts in Hollywood for the older woman. Well, one person would take issue with that. She's…

Power, Corruption and Laughs. This was Danish director/protagonist Mads Brugger’s route through the failed state chaos that reigns in the Central African Republic in his documentary satire The Ambassador, premiering in the UK at Edinburgh International Film Festival this week. Tackling deadly serious subjects that involve diplomatic immunity, old colonial interference and blood diamonds dredges…

On a day where celebrities seemed to dropping like flies, it's a shame that the obits for British scriptwriter Troy Kennedy Martin  probably won't be as extensive as they should be. Needless to say the man was a man who had a hand in helping to create and write some of the best UK TV shows ever made including 'Z-Cars' and 'The Sweeney'. His TV shows helped pave the way for intelligent genre fare…

How Do I Sell My Film Part One - DEMOGRAPHICS Netribution and film distributors WYSIWYG have joined forces to present on-line WYSIWYG's essential Guide to Film Distribution. We're both interested in building a strong industry for independent filmmakers. This means creating films that people want to see and buy. It does not mean sacrificing creative integrity, but it means business. To do the b…

All is clear now. The middle east crisis. Homer Simpson vs Ned Flanders. Almost every fight I've ever had. Thanks Norman McLaren & BoingBoing. (this won the best animated short Oscar in 1952) {google}2976945051371832639{/google}   

2006 was certainly a year of trailer mashups. To quote the Misshaken Pictures' Mashifesto: "As our collective history burrows deeper into the digital coalface we begin to see it recombined, re-imagined, re-invented and e-rased. Heirachies of media code are becoming silly putty in the hands of the majority and the global mirror increases at an unprecedented rate, a miasma of Id…

i have spent the last 6 months trying to make a small impact on my website with my content that hopefully is something different to what is offered by the established networks (as i have no budget there will be cracks here and there in the quality) and seeing as i am not handcuffed by the censorship and regulatory boards my material can be inflammatory if need be depending on what i am thinking a…

It's taken me a while to gather my thoughts about the Second Open Video Conference which took place at the start of October in New York. It featured a vast mix of people and organisations interested in the future of video online - from tech and web shapers to creatives and lawmakers - there's not many places where you can end up round the table with implementers from the W3C, the Firefox and Safa…

  "Most of the independent films that we have seen or heard about suffered from one problem: finance. Some have come and gone because the young independent producers have failed, and are still failing to source the big budget required for production." Sound familiar to you? It certainly will if you are a filmmaker in Bulawayo. It looked strangely familiar when it caugh…