I marched thru the night, looking up to the snow kissed trees, and arrived too late for Cloud Atlas. Half an hour later a film I didn’t know, beyond reading that it was about a student dropout in Berlin, and was Black and White. I dashed back across the road for a thai curry, laden with mushrooms, which I left. I returned in time to get a seat and a small bag of popcorn, hoping this would not b...

There's a rather funny viral doing the rounds by UK blog the Shiznit about what if the 2015 Oscar nominations told the truth, following similar posts they've done in previous years. I didn't feel like sharing it however because their poster for Selma ('Challenging Race Biopic: if you don't like it then you basially hate black people') troubled me somewhat. I had to see it to be sure - and no lo...

Grassroots and No are both political films based on real events that concentrate on the competition: to win a local election in the former film, and to win a regime-changing plebiscite in the latter. The fact that No succeeds as an engaging film to such a greater extent than Grassroots shows that political races on film need to be contested by sharply-o...

Warning: spoilers (as far as I can spoil the plot of a very famous 8-year-old book for you) Ah. "We need to talk about Kevin." The words that the eponymous Kevin (Ezra Miller/Jasper Newell/ Rocky Duer)'s mother Eva (Tilda Swinton) never manages to say to her sweet, blinkered husband Franklin (John C Reilly). Lynne Ramsay's fine adaptation of the very unloveable 2003 novel dispenses with the...

Artist/director Steve McQueen's second feature (following 2008's Hunger), follows the unravelling New York existence of sex addict Brandon (Michael Fassbender). Living alone, he (seemingly) happily picks up girls in bars, orders prostitutes like takeout and masturbates in the work loos after watching porn on his computer. It's a tad compulsive, but his outward charm and ability to just about ...