Studio 2.0
14 articles
As web moves to TV, child protection is key, but ISP-level filtering won't work
So, Digital and Culture Minister Ed Vaizey has backed MP Clare Perry's calls to create a firewall of Britain to support the seemingly reasonable aim of protecting children from pornography (and potentially keeping adults from materials classified under the Obscene Publications Act). With the web now moving further towards the TV, the suggestion is not much of a surprise.
While it's tempti...
Freedom of expression, privacy, remix + autoblur - the 2nd Open Video Conference
It's taken me a while to gather my thoughts about the Second Open Video Conference which took place at the start of October in New York. It featured a vast mix of people and organisations interested in the future of video online - from tech and web shapers to creatives and lawmakers - there's not many places where you can end up round the table with implementers from the W3C, the Firefox and Sa...
Benefits of Photoshop Services from Clipping Path Service providing company
In recent time there is great headway in photo industry. Modern technology has changed the entire process of photographing. Gone are the days of analog imaging. We are in the era of digital imaging. However, over and above digital imaging, there is nowadays the use of computer in photographing. Some photo software can be run in computer to make room for all types of image manipulation.
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A lesson in how to profit from the free for the film industry
A few months ago I downloaded an open source add-on for Joomla, the (free) software that powers Netribution. It's a powerful tool which should make a nice addition here at some point - and it was free. So impressed was I after half an hour of using it that I checked out some of the add - available for it. I could buy alternative templates for $19 a time, an iPhone version, integration with othe...
The Digital Creative Economy - five suggestions for Vince Cable & Jeremy Hunt
While there is some hint that the new British coalition government will follow through on the Lib Dem policy of rescinding the rushed and hated Digital Economy Bill to let it get full and appropriate scrutiny, I would imagine that many new cabinet members are grateful to Ben Bradshaw and Lord Mandelson for pushing through an unpopular piece of legislation as a parting gift and saving them from ...
Three reasons why the Digital Economy Bill will damage British biz & what to do about piracy
Part 1 - Three reasons why the Digital Economy Bill will damage British businesses
Part 2 - What can be done? Five steps the UK content industries could take to offset piracy losses
A few weeks ago I chatted with a single dad in his 40s, working in a brewery. He's a biker, Sun-reader and towards the right politically, hating to see his taxes used to fund free school meals or asylum seekers.
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After the Open Video Conference part 1: background
Two and a half weeks may be a little late to begin writing up the Open Video Conference, but then my first essay, penned in the few days after, discussed Pirate Bay at some length and even mentioned Michael Jackson and Brian Newman and so is now largely irrelevant. But with our new Tweeting Netwitbutions, perhaps this is the time to sign up fully for the more anti-knee-jerk Slow Blog Movement -...
The future of film financing, an essay by Adam P Davies
If it is clear that the producer wants the product on as many
websites as possible, would market forces really create competition
amongst filmsites or encourage them to scramble to pay money upfront in
return for the "privilege" to sell the movie?"
If you thought the biggest threat facing the
international film business was piracy, think again. The creation of a single...
Out of the strike: new models for film from Silicon Valley
As talks restart in an attempt to end the US Writers Guild strike, commentators are discussing whether the dispute will drive more writers and talent out of the studio system and onto the web. It is one thing to win a doubling of DVD royalties, from four cents to eight, and a share of web advertising, as with TV (the main WGA demands); but another altogether to actually own, or co-own the sho...
Radiohead embraces trust over DRM: will it work for film?
I recently heard from a music industry insider that Radiohead make some 80% of their income from touring, which opened up the question of why they put so much effort into packaging, selling and protecting albums. A question that has now been answered. Free from a record label after their six album deal with EMI had come to an end, one of the most revered bands of the last 20 years have taken ...
The long tail: why the web loves indie filmmakers
“Our culture and economy is increasingly shifting away from a focus on a relatively small number of "hits" (mainstream products and markets) at the head of the demand curve and toward a huge number of niches in the tail. As the costs of production and distribution fall, especially online, there is now less need to lump products and consumers into one-size-fits-all containers.&...