There's not been a new post here in over four years, so maybe Netribution's 21st birthday today is a good time to update on a little expirment with "Web Monetization" (their zee, not ours). Web Monetization is a way to donate to the sites you visit without needing to have a separate subscription for them or even having to hit a donate button. After signing up with a provider (at the moment there…

It's taken me a while to gather my thoughts about the Second Open Video Conference which took place at the start of October in New York. It featured a vast mix of people and organisations interested in the future of video online - from tech and web shapers to creatives and lawmakers - there's not many places where you can end up round the table with implementers from the W3C, the Firefox and Safa…

Jon H from Finland at JonHs.net has pulled together a remarkable list of 9-11 related documentaries online. All are free to watch and most are created by unfunded groups and individuals. There's a few extreme conspiracy theories but it's is still an impresive collective example of citzen filmmaking. So much seems to have happened in the five years since Tom ran up the stairs…

The new Tax Relief system for British films offers producers up to 20% of their budget in cash. The system replaces Section 42 and 48 which offered a tax break of up to 40% and also introduces a host of quite complex new clauses to limit and define which films are eligible for relief. Love it or hate it, it is a piece of legislation which will effect not just which films get made in the UK in th…

2006 was certainly a year of trailer mashups. To quote the Misshaken Pictures' Mashifesto: "As our collective history burrows deeper into the digital coalface we begin to see it recombined, re-imagined, re-invented and e-rased. Heirachies of media code are becoming silly putty in the hands of the majority and the global mirror increases at an unprecedented rate, a miasma of Id…

So I decided to give myself the Christmas break - from just after boxing day until the 9th of January when I returned to work to tryand get Netribution 2.0 up online. I ordered one of the most boring christmas presents in memory - Larry Ulman's 'PHP and MySQL for Dynamic Websites' and proceeded to teach myself some basic PHP, beynd what I'd hacked for the www.ukfilmfinance…

Dan - man with a Cannes Van Plan, has posted the first Rogue Runner Cannes update to his website. The show - shot over 12 hours and edited in 8 - runs on alternate days on his site and sponsor LoveFilm. Latest episode now online.

From LazyFilm: There are only two things that can make any motion graphic artist flinch and that's rotoscoping and chroma keying. Why? Mainly because both processes are time consuming and arm numbing. However despite all these, rotoscoping and chroma keying still remains to be very important in the industry we move in. Which is why, lately, software companies are launching new…

Come in come in. Is anyone there?Just lost a whole page of data when I went to upload it. PHUT. gone, finito, marrungad, kaputo. I was logged in, but when the upload completed it told me I could not have access to that page without being registered and shuit me out! And my data went west, wasting a whiole precious hour of work Oh boy am, I not nice to know at the moment..... I have some…

Roy Disney, nephew of Walt and general protector of Disney, has passed away. I was lucky enough to meet Roy in 2000 at the Belfast Cinemagic Conference, and it has stood as one of the more memorable encounters of my working life. I was quite nervous beforehand yet without need - he was warm and genuine in his convictions, unassuming with a quiet strength. [Netribution, Dec 2000] Roy worked for…

  Owen Thomas the producer (and now distributor) of the UK's first DV feature, the acclaimed One Life Stand, directed by May Miles Thomas, offers advice from his foray into DVD distribution on How To Sell Your Film (Not Your Soul)           Six years ago everyone was talking DIY filmmaking - how digital tools would revol…

the horror film franchise is still surprisingly resilient and not really showing signs of slowing (some would say that the current incarnation has outstayed it's welcome). The question i ask is if there is space for a real rough and ready old school horror film that does what it says on the tin? The last good horror for me was Outpost. It didn't make you think too much and had a great genre story…

  Bader Ben Hirsi could make quite a screenplay out of his experience directing the first feature film ever made in Yemen, the ancient land at the tip of the Arabian Peninsula. His results though, have impressed the Arab world, who are bound to be his sternest critics. Ben Hirsi's film has just scooped the Grand Prize at the Cairo Film Festival. James MacGregor, who has spent ma…

The man who once forced to Klaus Kinski to take direction at gun point has been shot at during an interview with the BBC. The bizara incident is reported on the excellent cinematical.net Werner Herzog shot with air rifle during interviewPosted Feb 8th 2006 11:02PM by Jay Allen Filed under: Documentary Just in case you haven't gotten your quota of movie-related bizarre today, here's one…

2005 was a turning point in the entertainment industries, the year that Hollywood's tried and tested methods of reaching the masses finally had tio give way - to iPods, TiVos and Xbox 360s. What lessons will 2006 bring? The lesson of changing markets, that's for sure. The best admission of that came from NBC Universal TV chairman Jeff Zucker; "The overall strategy is to make…

Providing a write up for the Edinburgh Film Festival 2011, which came to a close yesterday, is not straightforward for me – Edinburgh is my adopted home of 28 years, and taking pleasure and pride in its cultural events is part of why it’s a great city to live in. But whether or not we wanted it, press coverage prior to the festival launch on 15th June was sharp, even nippy: the…

Red Bull's Flug Tag is back on the 7th June 2008, and they have kindly given E4 an offcial entry birth. The idea is to make your own flying machine, and well basically fly into the seprentine.  Now E4 want their own fans to represent them at the Flugtag. One lucky team consisting of four fans will be E4's offcial team at the big day. They will design, build and pilot the craft …

With a new chair this year in the shape of Scotsman, Alex Graham, presiding over a delegate list now 2,500 in number and Aussie Heather Croall still proving to be an assured hand in the Director’s role, Sheffield Doc/Fest 2012 is still on a steady and upward trajectory. Funding and making docs is tough territory but in these financial anni horribili the festival itself succeeded in not only keepi…

Do you know those moments where everything seems larger than life? Where the taste of baked beans rivals haute cuisine? Where the hazy sunlight and slow summer pace make you feel so much lighter you could have lost a stone in weight. It's as if the great post production supervisor in the sky has decided to apply a luminosity filter, upped the brightness and contrast, balanced the audio…

Producers are different things to different people, making this question difficult to answer. There are no detailed job descriptions and no two producers handle their jobs in exactly the same way. Is it any wonder that  both audiences, and many 'insiders', are bewildered by the proliferation of producer credits in films? The producer credit has often…

Sheffield Doc/Fest wound up on Sunday night after 5 full-on days. Capturing a flavour of the event overall did mean sacrificing time spent in screenings, but I caught two films up for a Special Jury Award; Clio Barnard’s The Arbor (premiered at London Film Festival in October) and Jeff Malmberg’s Marwencol (premiering in the UK at Sheffield). Neither won, although Barnard’s film did get the…

  "Most of the independent films that we have seen or heard about suffered from one problem: finance. Some have come and gone because the young independent producers have failed, and are still failing to source the big budget required for production." Sound familiar to you? It certainly will if you are a filmmaker in Bulawayo. It looked strangely familiar when it caugh…

  It's 3 AM in central London - dark and quiet except for the odd car and the hum of generators huddled round the outside of Westminster Cathedral. But here, inside, light is flooding in through the windows as though it was midday. And in the minds of the 150 or so people here it is midday and this isn't London, it's the Escorial Palace in Spain in the year 1588. King Philip…