Artist/director Steve McQueen's second feature (following 2008's Hunger), follows the unravelling New York existence of sex addict Brandon (Michael Fassbender). Living alone, he (seemingly) happily picks up girls in bars, orders prostitutes like takeout and masturbates in the work loos after watching porn on his computer. It's a tad compulsive, but his outward charm and ability to just about ho…

Those who know the work of illustrator Dave Shrigley will understand how easy it is to fall into cliché when describing his work. Words such as ‘twisted’, ‘dark’ and ‘disturbing’ seem inadequate to express his truly warped view of the world and the people who inhabit it. Now, with the aid of Chris Shepherd who directed the wonderful short film Dad’…

A bit of a British bonanza this time as Special Edition # 32 brings a pair of UK films which delve into two of British people’s favourite subjects: politics and football.  It’s a shame The Age Of Stupid isn’t out until October, otherwise we’d also have the weather.  Laurence Boyce also looks at the usual mixture of classic films (including one of the best –…

 This Russian-French movie won the Best Foreign Language Oscar in 1995, but is only being released on DVD in the UK this month.   Burnt by the Sun (Russian: Утомлённые солнцем) is set in Russia in 1936. Stalin has been in power for almost a decade. Colonel Serguei Kotov (Nikita Mikhalkov, also directing and co-writing) is living the good life in his dacha with his much…

Come on the long days! Laurence Boyce has been stuck in front of a computer for the past few weeks, watching many, many films and currently needs a tanning machine to ensure his skin resembles the colour of porridge. Thankfully, the stuff that he’s been watching for Special Edition # 38 means that Laurence Boyce has at least got to enjoy some really good films and TV shows. But, for the love of h…

    Future Shorts, the film label behind Rock'n' Roll Cinema and Secret Cinema , as well as global distributor of short films, has released its first DVD, a bit of a greatest hits called Adventures in Short Film - Volume 1. They chose well for their inaugural compilation.   As with a short story, short films can do great things with a hint of strangen…

Back in March during the battle between The Hurt Locker and Avatar at the Oscars, much-loved political theorist Zizek waded in with a comparative review of the politics of the two films. His conclusion was that James Cameron's film had been the best attack on the military-industrial complex and US corporate hegemony. Kathryn Bigelow, on the other hand, he argued, legitimised the Iraqi invasion…

Profoundly humane and stunningly aesthetical, Waltz with Bashir is not about dancing…not even around the bullets of one’s enemies as does an Israeli soldier in the eponymous scene. Through the personal lens of his experience as a soldier during the Sabra and Chatila massacres of the 1982 Lebanese war, Israeli director Ari Folman tells the universal story of young men and the harrow…

Grassroots and No are both political films based on real events that concentrate on the competition: to win a local election in the former film, and to win a regime-changing plebiscite in the latter. The fact that No succeeds as an engaging film to such a greater extent than Grassroots shows that political races on film need to be contested by sharply-out…

  by Robert Latham Brown Chalk Hill Books, L.A, March 2006, 416 pages, $29.95 Low budget film production is a chicken and egg scenario. For the production to be successful you need experience to avoid potentially costly mistakes. If you have that sort of experience already, you are unlikely to be making low budget films at all. If you want to go the low budget route, how do you get…

With the rise of  so-called 'user generated content', a strange phrase that conjours up images of cinemagoers as drug users, and 'professional filmmakers' as dealers who would never use their own supply, it's inevitable that the film industry would have something to say on the matter. And as with buses and most films from those dealing with the massive (Armagedon, Deep Impact) to the micro…

Any book that attempts to reinforce the idea that film is, first and foremost, a visual medium has to be a good thing. 'Cinematic Storytelling' certainly does just that. Directors, writers, editors and cinematographers will all glean much of use from this book. Publisher: Michael Wiese Productions ISBN: ISBN 1-932907-05-X Published date: Current Country of origin: US Subject area: Visual Film Na…

Propelled forward with the raw exuberance of the music and characters within the dance music scene of Brazil's favelas, rarely is a documentary so sexy, foul-mouthed and downright fun. Refreshingly void of narration or authorial presence, ‘Favela on Blast' drops you in at the deep end of Rio's ‘Funk Carioca' scene, relying only on personal accounts from the D.J's, M.C's and characters within it…

Welcome to Page to Screen # 1, Laurence Boyce’s newest column that takes a look at some of the best books related to cinema, TV and anything else that fits into our broad remit. From serious academic tomes to graphic novels, weighty reference material to film tie-ins there’ll be something here for everyone to feast your eyes on when not actually in the cinema. The honour of th…

  You would be hard pressed to find anyone who thinks Ken Loach's films are simply OK, or all right, or not so bad. Loach divides opinion. ``The Wind That Shakes the Barley,'' which won the top prize -- the Palme D'Or -- at the Cannes Film Festival last month isn't going to change that fact. The film is, at least in part, a damning indictment of the British in Ireland…

Everyone who says that there are no decent films being made in the UK are dead wrong. There are plenty of decent movies made in the UK. It's just that no-one really gets the chance to see them. With UK distributors consistently playing it safe, there's a raft of excellent stuff that - apart from an occasional screening at a film festival - that's gathering dust on a shelf. But t…

It may have taken more than ten years for this one to come to the big screen, but it is a must-see for anyone with a liking for quirky humour, or film noir. It may be low budget, but there’s not a Lottery penny in sight. If low budget means you can end up with these production values on screen, then the UK Film Council needs to move over. They may have lost the plot, but the team behind Roo…

The London Film Festival opens tonight with a screening of Never Let Me Go, an adaptation of the 2005 Kazuo Ishiguro novel, starring Carey Mulligan, Keira Knightley and Andrew Garfield. The screenplay was written by Alex Garland, and the movie directed by Mark (One Hour Photo) Romanek. The story takes place in an alternate England, where medical research has solved most illnesses, and the averag…

This book’s subtitle is The Power of Color in Visual Storytellling, but it’s also something of a tribute to the power of a good title. I would defy anyone to spot this in a bookshop and not have their curiosity aroused. Publisher: Focal Press ISBN: 0-240-80688-3 Published date: Current Country of origin: US Subject area: Colour in Film Design price: £24.99 Personally, I’ve know all about the i…

The introduction and development of Apple’s Final Cut Pro software has created positive and negative waves of opinion throughout the various strands of the media industry in the UK and worldwide. You could say it has thrown a spanner in the works for its long-established competitors.   THE REVOLUTION The introduction and development of Apple’s…

Laurence Boyce presents Netribution’s first regular round-up of the best DVD’s available for all those who want to know which shiny discs to watch and which to use as coasters. Just brace yourself, as the first time around, our Special Edition is massive (and, with a line like that, it’s a shame that we’re not reviewing a Carry On film …)   Wes Craven moves away from the horror movie to…

In this fine appraisal of his oeuvre, Heylin looks at the director's failure to capitalise on the promise of Citizen Kane. In this fine appraisal of his oeuvre, Heylin looks at the director's failure to capitalise on the promise of Citizen Kane. Welles' own uncompromising attitude didn't help his later projects, such as The Magnificent Ambersons and A Touch of Evil, but neith…

Television interviews for set-piece programmes somehow always get everything just right; the framing of the subject on screen, the facial modelling that gives definition to the features without making the face into something more like a silhouette. In the best interview examples, the lighting camera operator’s skill appears to put an apparently 3-D image on to a 2-D television screen – and in HD…

There were no accidents. Nothing blew up. So, unless I spontaneously combust in the middle of writing this column, then it seems we can go ahead with Special Edition # 25. Yay. And, yes, we’re on number 25. Laurence Boyce would have got some mugs specially produced but who needs merchandise when – as always – there are a multitude of delightful DVDs for your perusal. Thi…

  HDV Filmmaking by Chad Fahs An Authoritative Guide to the Brave New World of HDV 470 pages Thomson Course Technology $49.99 High definition video is the latest technology to enable filmmakers to capture the best possible image at lowest cost. Because it shares tape transport with DV format, it is often see as the next step up, but this is not DV, it is a very differen…