Television interviews for set-piece programmes somehow always get everything just right; the framing of the subject on screen, the facial modelling that gives definition to the features without making the face into something more like a silhouette. In the best interview examples, the lighting camera operator’s skill appears to put an apparently 3-D image on to a 2-D television screen – and in H...

I watched the pilot episode of HBO’s The Pacific and all my fears of the same run off the mill macho war film were somehow true. As a follow up to Band of Brothers it lacks a lot of characterisation that made the 2002 10 part series a groundbreaking multi character epic. It is still a powerful piece of television with it’s visceral carnage but the characters revert to that macho American attitu...

Michael Haneke's critically-acclaimed The White Ribbon, which was released on DVD yesterday, is a chilling look behind the apparently normal façade of a small north German village in the lead-up to the First World War. Narrated by one of the most sympathetic characters, the schoolteacher, when he has become an old man, the film shows us brutal events, some apparently perpetrated by children,...

Last night I rewatched Tarsem's, The Fall. I first saw it at Edinburgh Film Festival in 2008 amidst a dreamy stream of great films. Starting with a bong toking Ben Kingsley going through a breakup in The Wackness, to a man named Nick discovering the delights of Swedish spiritualism through the painfully funny Three Miles North of Molkom, onto Wayne Wang's 1000 years of Good Prayers, taking its ...

Any film adaptation of Nobel Prize-winning author J. M. Coetzee's 1993 Booker Prize-winning novel would have a daunting reputation to live up to, and the husband-and-wife team behind this 2008 effort, director Steve Jacobs and screenwriter/ producer Anna Maria Monticelli do Coetzee's big themes justice. As ever, eatch out for spoilers, although the book has been out for over a decade...