It launched on January 1st 2000 as a weekly magazine and filmmakers' encyclopedia, running for 99 issues past the dotcom crash until February 2002. Some is archived here.
In January 2006, Netribution returned as a dynamic user-generated filmmaker group-blog, running until May, 2014, when the last user-submitted article was taken. Some highlights, below.
Mary was casting director for Spielberg (Indiana Jones), George Lucas (Return of the Jedi), alongside Superman, Withnail and I and many more.
Ken Russell was long labelled Brit-film's Bad Boy, since 1971's The Devils. Admitting that no-one would make that film today, Russell retreated to a cottage in the South of England.
Archivist and filmmaker, Stanley built the UK's largest left-wing footage library, and made a series of films about Chile under Pinochet, including Companero, about Victor Jara
Stephen has shot the breeze with everyone from Beyonce to Al Gore, Michael Moore, George Clooney, Bill Murray, Terry Gilliam, Vidal Sassoon and Jesse Eisenberg. He's the author of The Wicker Man: Conversations with Robin Hardy, Anthony Shaffer & Edward Woodward – and published dozens of interviews on Netribution.
After bringing dozens of film stories and scoops from Scotland and the North of England to the London film set in the first Netribution with the weekly column Northern Exposure, Shetland-based James (pen-name for a film producer) produced and re-produced over 650 stories for Netribution's re-birth from 2006. He wrote Shooting People's Wideshot magazine and a chapter of the Film Finance Handbook.
I'm desperate to launch in the twentieth century, and work night and day around Christmas to get 800 pages ready and uploaded New Years Eve. I'll never forget the bewilderment and shock when I realised that it had worked - that I had a site online. What I failed to do, however, was upload the images - here was a big sexy site with no pictures. But I had a train to catch - and hopped up to Edinburgh, partied in the millennium, watched the sun rise over Arthur's seat, got a train back to London, went to a screening of Fantasia 2000, went home, and uploaded the missing files.
We embarked on this lunacy with no experience, no parental consent and no degree - just an acute ache for success that only the young have the energy and innocence to jeopardise in their quest. On the other side we've understood that we are adults now (I'm almost sad to say it) and besides, success stories are so predictable.