If there's one thing more stressful than getting married, it's making a fully improvised comedy about the process in real time. Debbie Isitt, writer and director, kept a diary of the making of her film Confetti, an extravaganza of jealousy, nudity, ball boys....and improvised dialogue.

  How many notices have we seen from directors who have a great idea for a film, have written a script themselves and now ‘just’ need a producer to raise a hundred thousand to make it? What could be simpler? And let’s not forget that all-important incentive… no fee, but you’ll get a VHS copy of the film if, and when, it’s finished! Wow, as a pr...

Anyone trying to gain employment in the Britain's film industry knows how hard it can be getting a foot in the door. Three years at film school and all the enthusiasm and determination in the world still can't guarantee you a job in an industry that measures success in terms of who you have worked with and what films you have worked on. Here's a story that shows how one aspi...

 The only people who truly know how much blood sweat and tears go into the making of a feature length movie are those who have done it themselves. The effort required is also in indirect proportion to the size of the budget - the smaller the budget the greater will be the effort required.  This particular story is that of Neil Oseman ("Hereford's Stephen Speilbe...

That's a wrap; wind reel and print - but did you remember about the trailer? It's often the last thing a filmmaker thinks about, but it might be the first indication anyone has of what the feature is about, how good it is and whether or not to spend some of their hard earned pay on going to see it next week. It's your pitch to the punters, so let's make it a good one. Here's how.

Producers are different things to different people, making this question difficult to answer. There are no detailed job descriptions and no two producers handle their jobs in exactly the same way. Is it any wonder that  both audiences, and many 'insiders', are bewildered by the proliferation of producer credits in films?