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by james macgregor | June 22nd, 2001 | contact: james@netribution.co.uk

Rocket Posts Impacts on Location

For centuries the remote island of Taransay was known only to a few, but the Castaways changed all that. Now the makers of a film about a real life 1930s rocket scientist have come ashore for the ideal location

Hebridean silence came as a surprise to sound recordists for the film Rocket Post on location in the Western Isles. Accustomed to a more urban background hum of traffic and aeroplanes overhead, a natural silence seems almost eerie and takes some getting used to.

"There is a Hebridean silence," enthuses Mark Shorrock, the film’s producer. "It is a total, peaceful serenity broken only by birdsong or the lapping of waves."

The Rocket Post tells the amazing true story of an idealistic, and decidedly eccentric, German scientist, Gerhard Zucher (played by Danish actor Ulrich Thomsen), who came to the Outer Hebrides in the 1930s to develop a rocket to transport mail between the inaccessible islands. The need for such a device arose when, during a wild storm, a young mother got into difficulty giving birth to the second of her twins on the island of Scarp (nearby Taransay, scene of the BBC’s Castaway series, is doubling for Scarp in the movie because the owner of Scarp forbade filming there).

On account of the high seas, no one was able to get a message to the doctor on the larger island of Harris, and the woman had to wait three days before travelling across and delivering the second twin. When Zucher arrived in this remotest corner of Scotland, he had to deal with local hostility not only to new technology, but also to Germans - during the First World War the Highlands and Islands had lost, per capita, the greatest number of soldiers in the British Isles.

In the film, matters are further complicated when the mistrusted foreigner starts to fall in love with the beautiful local schoolteacher, Catherine MacKay (played by Shauna Richings Macdonald, a newcomer who has taken a term out of her studies at the Royal Scottish Academy of Music and Drama to appear in this film).

The script, by James MacInnes and William Morrissey, captures precisely the sense of a tightly-knit community that unravels once it comes into contact with a magnetic outsider. Shorrock sums it up as "Romeo and Juliet set on a Scottish island."

The producer felt that such a gripping story was just crying out to be made into a film. "It’s almost unbelievable that the British government would want to send a German rocket scientist to the islands at that point in time. It really is a case where true life has thrown up a story that is more remarkable than anything you could invent."

The production has the precision and scale of a major military operation. Fifty builders spent four weeks on Taransay constructing a facsimile of a 1930s Highland village complete with jetty and church hall. Everything from building materials to fresh water had to be transported from Harris on barges and helicopters. But it was worth it: the results are breathtakingly convincing.

Gary Lewis, who plays Jimmy Roach, a Glaswegian poacher, pays tribute to the builders. "The unsung heroes of this film are the art department and the construction team. They should be lined up on the beach and each presented with a bottle of Talisker whisky. The first day we were here, the producers brought the islanders over from Harris and Lewis, and the old locals were arguing that these houses had been on Taransay for ages. Even the island’s owner said: ‘I didn’t know I had these buildings on my land.’ That’s a real compliment to the builders."

The shoot itself is a logistical headache, with150 people being ferried to the island each day, using just four speedboats. The production base on Taransay could double for the camp in M*A*S*H - all cavernous marquees draped in camouflage netting. Emergency provisions are ready for cast and crew to overnight in the dining marquee if the weather turns nasty during the course of a day. It comes as no surprise to learn that the Paras have been involved in the planning of this production.

None of this will be visible on screen. The Rocket Post aims to tell a simple story set against a simple backdrop. Looking like a particularly tasty Bounty advert, the island is clearly photogenic. The BBC’s Castaways found Taransay so intoxicating some returned earlier this year to help tidy up the island.

Shorrock maintains that for authenticity’s sake it is essential that the events are shot in the area where they actually happened. You can’t, he contends, mock up the sheer tranquillity of the Outer Hebrides.

"People think of Great Britain as one big, overcrowded concrete jungle," he says, "but then you come somewhere like this and see that it is almost a wilderness. This place is unique because the sense of isolation is so special. It also has an austere beauty; it combines Mediterranean seas with Highland scenery. That doesn’t exist anywhere else in the world."

The production designer, Alison Riva, agrees: "The sea sparkles here like it does in Greece. It’s like someone has thrown a handful of diamonds onto the surface."

Not since Local Hero has a feature film attempted to reflect the strangely transfixing ambience of the Highlands and Islands on screen. On the evidence of the rushes, The Rocket Post has succeeded.

The actors have certainly found being on Taransay an addictive experience.

"It does something to you,"’ declares Kevin McKidd. The Elgin actor, best known for his roles in Trainspotting and Small Faces, plays Dr Thomas McKinnon, Zucher’s rival for Catherine’s affections.

"You come to work through such beautiful and untouched landscape that everything else just seems minor. Being here gives you a good sense of perspective. You can get very uptight on a film set, but the landscape here is so awesome that it just humbles you. It helps you see what really matters in life and stops you being obsessed with trivia like whether or not you’ve got a double chin."

The Rocket Post will be released next year.

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