Before editing software was developed and even before there were any edit suite controllers, video tape was edited by manually slicing it by people using very sharp razor blades.
This was a process known as Kamikaze editing. Early editors also used a microscope, a cutting block, magnetic developing fluid and degauzed (demagnetised) razor blades. For a clean edit, the tape had to be sliced at the video vertical interval between frames. This was found by painting the surface with a special developing fluid, which Ampex called Edivue. This dyed the tape, exposing the magnetic scan lines to the the naked eye.Read more From Razor Blade to Desktop - A History of Video Editing
Aimed at first time visitors, Shizana Arshad and Laura Horowitz at 6 Degrees Film have put together a Cannes Guide containing information on the festival itself, how to submit your film and obtain accreditation along with useful numbers and info...
What do you need to know about attending the Cannes Film Festival? What should you expect? Who gets accreditation? Find out the answers to all of this and more in our Essential Guide to the Cannes Film Festival. 6 Degrees Film will also keep you updated with all the latest information as the jury members get picked and films are selected for competition so check their website regularly: www.6degreesfilm.com
Here's what this guide gives you:
Submitting a film
The Film Market
Short Film Corner
Attending the festival
Accommodation - 4% discount to 6 Degrees Film Readers
Useful Information and numbers - including 10% discount on Cannes: A Festival Virgin's Guide book
Read more The Essential Guide to Cannes
Tom Swanston Reports from the NORDIC CO-PRODUCTION FORUM
Haugesund, Norway 21-23 August 2006
This year the beautiful coastal town of Haugesund, Norway was host to the first ever Nordic Co-Production Forum, held from 21st to 23rd August. The town is situated on a long sea inlet in the South West of the country, a 45-minute flight from Oslo.Read more NORSE FILM DIALOGUE: Impressions from Haugesund
21 Minute Film School
Have you ever had a desire to make a movie? If so, set 21 minutes of your hectic life aside and read on!
Read more Raindance's 21 Minute Film School
Writer Simon Rose on Getting His Story to the Big Screen
I can't be the only writer who, after sitting through umpteen appalling movies, has thought, "Surely I can do better." By 1994, I was itching to write a screenplay, but a subject eluded me. Then I heard about Graeme Obree. This down-at-heel Scot built a revolutionary bicycle from scrap and washing- machine parts and became world champion, only to be banned by the cycling authorities. Instead of giving up, the amazingly determined Obree redesigned his bike and had another go.Read more THE FLYING SCOTSMAN - A Bumpy Ride to the Big Screen
I've worked as an actor on a number of film sets and with a wide range of directors and filmmakers. It's an exciting place to be and when you hit the scene right, there's no better feeling in the world; despite shooting out of chronological order and out of emotional continuity. Each day, each scene, each take, brings its own challenges for the actor - and when you're tackling these challenges with a good team of people who are all heading for the same goal it's a very rewarding experience.Read more Thoughts on Being a Filmmaker’s Actor
Uncover Favourite UK Film and TV Locations
When I lived in Oxford a decade or three ago, it would have amazed me to imagine that my modest street in the working-class neighbourhood of Jericho would one day witness scores of escorted tour parties earnestly retracing the murder investigations of Inspector Morse. But at last this sign of the times has gained a name. Set-jetting is defined as a passion to visit places you read about in books or see portrayed in films and television. Estimates vary on how widespread the fad is, but it's a fair guess that well over a quarter of us are influenced to some extent in our choice of holiday destinations by novels or screen presentations.Read more Set-Jet The UK
It's 3 AM in central London - dark and quiet except for the odd car and the hum of generators huddled round the outside of Westminster Cathedral. But here, inside, light is flooding in through the windows as though it was midday. And in the minds of the 150 or so people here it is midday and this isn't London, it's the Escorial Palace in Spain in the year 1588. King Philip II of Spain, the most powerful man in the world, is about to tell his ministers that he now has the right to invade England - the Spanish Armada is about to be launched.Read more Production Diaries of The Golden Age
Jon Williams and his creative team spent in excess of two years crafting their underground comedy Diary of a Bad Lad and a further year taking it through post, producing a film that many film luminaries have acknowledged to be fresh, original and different.
After getting endorsement for their product from people like Chris Bernard, Alex Cox and Nik Powell, you would think that getting it "out there" might not be too difficult. Think again. Jon Williams certainly did and when Netribution asked him, wrote this account of driving his film to market.
Jon's article makes it clear how just a few people hold a pernicious grip on UK film distribution and what an impenetrable cartel it has become. Diary of A Bad Lad is being distributed by WYSIWYG Films and is finally being released this autumn on the Digital Screen Network.
Read more JON WILLIAMS: Driving a Bad Lad to Market
How Do I Sell My Film Part One - DEMOGRAPHICS
Netribution and film distributors WYSIWYG have joined forces to present on-line WYSIWYG's essential Guide to Film Distribution.
We're both interested in building a strong industry for independent filmmakers. This means creating films that people want to see and buy. It does not mean sacrificing creative integrity, but it means business. To do the business with independent film.... Read OnRead more WYSIWYG Filmmaker's Toolkit
How Do I Sell My Film Part 2 - Delivery Format
Netribution and film distributors WYSIWYG have joined forces to present on-line WYSIWYG's Filmmaker's Toolkit....
Okay. So you now know who will watch your film. Well, that means you can also estimate how many people you have as potential audience. That gives you an idea of how much money you can spend. It also tells you... but wait, how many people will watch your film? That depends on how you offer it to them. Let's look a little closer at delivery format.Read more WYSIWYG Filmmaker's Toolkit - Part 2
"Most of the independent films that we have seen or heard about suffered from one problem: finance. Some have come and gone because the young independent producers have failed, and are still failing to source the big budget required for production."
Sound familiar to you? It certainly will if you are a filmmaker in Bulawayo. It looked strangely familiar when it caught my eye in Zimbabwe's Sunday News, so I had to read on for some further analysis of what is clearly as big a problem for filmmakers in Zimbabwe as it is anywhere - but this is Mugabe's country, not known to be a benign regime.Read more Call To Fund Independent Producers
In Britain we like our television scriptwriters to be lovably eccentric - think the anarchic Paul Abbott, the flamboyant Russell T Davies or the wonderfully indiscreet Andrew Davies.
In the US, TV dramatists are a more serious breed altogether.Read more It's All In The Script
A record number of films are getting release in British cinemas without any cuts being needed to get approval. Figures released by the British Board of Film Classification show that during the past decade less than three percent of the 4,951 films released into cinemas had to have cuts in order to achieve the classification they wanted.
Read more Are Britain's Film Censors Up to the Job?
Bader Ben Hirsi could make quite a screenplay out of his experience directing the first feature film ever made in Yemen, the ancient land at the tip of the Arabian Peninsula. His results though, have impressed the Arab world, who are bound to be his sternest critics. Ben Hirsi's film has just scooped the Grand Prize at the Cairo Film Festival. James MacGregor, who has spent many years in the Middle East has been following Bader Ben Hirsi's story and the making of A New Day in Old Sana'a.Read more Cross Cultural Filmmaking in Yemen
How much do movie stars contribute to box office success? Harvard Business School professor Anita Elberse researched the notion of "star power" to better understand how A-list players contribute to Hollywood's bottom line.Read more Star Attraction The Box Office Power of Stars