Cameron Says Digital 3D Will Save Hollywood

 

Titanic Director James CameronTitanic director James Cameron, has issued a warning that Hollywood is "in a fight for survival." He wants the movie industry to offer films in digital 3-D to counteract declining sales and rampant piracy.

 

James Cameron makes his 3-D prediction during his keynote address"Maybe we just need to fight back harder, come out blazing, not wither away and die," Cameron said during his keynote address Sunday at the National Association of Broadcasters' Digital Cinema Summit.

"D-cinema can do it, for a number of reasons, but because d-cinema is an enabling technology for 3-D. Digital 3-D is a revolutionary form of showmanship that is within our grasp. It can get people off their butts and away from their portable devices and get people back in the theatres where they belong."

    BURST THE BUBBLE

Cameron also took the occasion of the world's biggest annual film and broadcast technology trade show at the Las Vegas Convention Centre to fire a few shots across the bow of the controversial practice of simultaneous movie and video releasing being promoted by entrepreneur Mark Cuban and Bubble director Steven Soderbergh, among others.

"We're so scared of piracy right now that we're ready to pimp out our mothers," Cameron said. "This whole day-and-date DVD release nonsense? Here's an answer: (Digital cinema is) one of the strongest reasons I've been pushing 3-D for the past few years because it offers a powerful experience which you can only have in the movie theatre."

   PLANNED 3-D RELEASES

The director of the highest-grossing film of all time in nominal terms at one billion pounds worldwide, said he is considering a re-release of 1997's Titanic in digital 3-D just as Peter Jackson is planning at some point for King Kong and, possibly, his The Lord of the Rings trilogy. George Lucas also plans to re-release his original Star Wars in 3-D timed to the space opera's 30th anniversary next year.

    ENHANCING THE CINEMA EXPERIENCE

With filmmakers and exhibitors united behind the idea of enhanced cinema experiences, Cameron predicted that studios would become even more focussed on both releasing new titles and re-releasing classics in 3-D digital cinema.

"We will reach a point in a few years when every major studio will ask how many of its four or five annual tentpoles should be in 3-D," Cameron said. "It will become almost a rule that all major 3-D animated releases will be made available in 3-D.

    CLASSICS REVISITED IN DIGITAL 3-D

"Every year there will be a copy of timeless favourites brought back through (3-D) dimensionalization," he said. "The new wave of 3-D films will be the must-see films, the major releases from major filmmakers."

Cameron said that despite industry-wide squabbling and fear-based decision-making associated with new technology, and even despite the fact that the major studios haven't co-operated in the past, the digital cinema rollout actually is happening.

"We're halfway through the looking glass," he said. "We're past the point where the fear of change is outweighed by the fear of not changing."

While most people associate 3-D with either animation or projection, Cameron said that there are a variety of stereographic processes that can be introduced while shooting, during postproduction, or after a movie has been archived.

    ALSO TESTING THE WATERS

Among the films testing the various 3-D waters are Narnia producer Walden Media and New Line Cinema's Journey to the Centre of the Earth, which is being shot live-action with stereographic cameras; Robert Zemeckis' Beowulf, which is employing 3-D-animated performance capture; and Walt Disney Feature Animation's computer-animated Meet the Robinsons, which will be projected in 3-D.

The filmmaker said his interest in digital 3-D goes back to his love of movies and his love of making them for the big screen. "I'm not going to make movies for people to watch on their cell phones. To me, I'd rather go back to doing some more deep-ocean expeditions," Cameron said, referring to the handful of maritime documentaries he has made since Titanic. "I don't want that grand, visionary, transporting movie experience made for the big screen to become a thing of the past."


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0 # Guest 2006-04-27 08:38
I have no doubt that Cameron is right. However, the question now is, will the new digital 3D films be seen with shutter glasses or by using one of the new autostereoscopic technologies?
0 # Guest 2006-04-27 08:38
I have no doubt that Cameron is right. However, the question now is, will the new digital 3D films be seen with shutter glasses or by using one of the new autostereoscopic technologies?