Did Out of Sight originally have the non-linear structure?
It was originally told in chronological order, but we re-wrote it in flashback order. I felt that it gave the film more weight and introduced Jennifer Lopez’s character at an earlier point.

It’s a technique you’d already used quite extensively in Schizopolis, and then again in The Limey.
Yeah, well in that film (Schizopolis) it’s because Fletcher Munson has jumped rails onto somebody else’s life in parallel time, and is aware of that. So in the first part of the film with Fletcher, which takes place over the course of two or three days, when he jumps ship to this other life, he has been reliving those two or three days, but as the dentist. And then it turns out this dentist he’s jumped in to has been having an affair with his wife.

Who was played by your ex-wife.
Yeah, and the kid was my kid as well. I couldn’t have imagined anyone else. It also meant that she (Soderbergh’s daughter) responded completely naturally on film.
In the Limey, the break up of structure was more about creating that sense, when you’re retelling a story, of remembering that someone said such and such, but not being sure when they said it, or where they said. You don’t remember in a linear form.

The sex scenes in you’re films aren’t very explicit visually.
I don’t like explicit sex scenes. I subscribe to the theory that as soon as an actor takes their clothes off you are watching a documentary. I wanted the film to have a looseness and a roughness that you wouldn’t associated with a studio and star driven film.

Whose idea was it to have Michael Keaton play the same role as in Jackie Brown?
That was Stacey Sher’s (of Jersey Films, producer of Out of Sight, Get Shorty, Pulp Fiction) idea. I went to Quentin Tarantino’s house and looked at Jackie Brown and Keaton came in and did it for free, as a favour.

One of the charms of Out of Sight and The Limey is the incompetence of petty criminals. Does that hold a particular attraction for you?
Yeah, the most successful criminals are the ones running major corporations.

George Clooney seemed to have been looking for the right film for a long time. Were either of you aware on the set of Out of Sight that you had found that vehicle?
Yeah… I felt that this was the part in which he could hold the screen and show he was a movie star. We’re looking for something else to work together on.