From Poland With Shorts, which aims to promote the talent and diversity of young Polish cinema and filmmakers, comes to London’s Riverside Studios for four screenings between 17th and 18th September. The screenings will include short films of some of the most talented new directors in Poland alongside a restored version of Andrzej Munk’s classic film Eroica. 

The screenings include Three for the Taking (Trójka do wzięcia) -a moving film about a 16-year-old girl whose life is changed when she discovers that her mother has a terminal illness - from the Oscar nominated director Bartek Konopka, Echo, a troubling story of two young boys who recreate an unspeakable crime for the police, and Out Of Reach (Poza zasiegiem) a documentary which won the Golden Dragon for Best Film in 2010 at the prestigious Krakow Film Festival. 

To celebrate Netribution are giving two sets of tickets for the screenings (1 pair for the 17th and one pair for the 18th) alongside two DVD copies of Passenger directed by Andrezj Munk courtesy of Second Run DVD, the premiere DVD company specialising in the release of important and award-winning films from all around the world. Passenger has been called 'one of the most audacious fictions ever made about the Holocaust'. Director Munk died in a car crash, aged just 39, in the middle of filming. His friend, Witold Lesiewicz, and his colleagues decided to complete the film to what they believed were Munk's intentions and assembled it using the existing footage, Munk's still photographs and a voice-over narration. Finally released in 1964, the film won main awards at Cannes and Venice and has been described by those who have seen it as an unfinished masterpiece. Unseen for far too long, this is the first-ever DVD release of this unique film anywhere in the world.

To win tweet the following @Netribution:

Win tickets for FROM POLAND WITH SHORTS and Andrezj Munk's PASSENGER on DVD. Go to http://bit.ly/mWNptA and RT this to win!

Winners will be notified on Thursday evening

The screenings take place at the Riverside Studios, Hammersmith, London on Saturday 17th September and Sunday 18th September.

AND 2010 - 15 March - 10 April 2010

This Spring, AND will lead you on a digital journey across real and virtual worlds, set against the scenic backdrops of Cumbria and Lancashire - abandon the city and head for the hills....

Expect strange, playful and radical interventions across the northwest's natural landscape, with high-wire adventures in Grizedale Forest,an inflatable cinema in Preston, and organised chaos as we dance on masswith Improv Everywhere in Blackburn. 

With innovative new commissions from pioneering net artists Ubermorgen, James Coupe and Geoffrey Alan Rhodes, a host of projects will map the region as artists, engineers and designers force us to question our relationship to nature and technology.

The University of Hull is to become the title sponsor of GLIMMER: The Hull International Short Film Festival in a partnership between the two organisations announced today. The renowned short film festival, which will run from 19th-25th April 2010, will bring a selection of screenings and special events to the University campus whilst showing off a number of eclectic and exciting screenings across the city in venues such as the Reel Hull Screen

If you would like your film to be considered for GLIMMER: The 8th Hull International Short Film Festival, then be quick as the deadline is Friday 5th February. For more information, visit www.hullfilm.co.uk where you’ll be able to download an entry form with everything that you need to know regarding entry rules and application criteria.

An all-star jury ranging from UKFC Premiere Fund head Sally Caplan to YouTube's Sara Pollock will judge the Pixel Pitch award for a cross media project, with details of the seven finalists now released and detailed below. One winner will walk away with the £6,000 Babelgum Pixel Pitch Award.

Tickets are now on sale for the event, which will accompany the Power to the Pixel conference, where a host of names from the Open Video Conference (including Brian Newman, Ted Hope, Nina Paley, Lance Weiler) along with Age of Stupid's Franny and Lizzie - will talk about digital marketing and distribution strategies for filmmakers.

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A new button at the end of our menu bar is for the increasing number of events mentioned here and in the forum. Click events above and you can see a listing of events (one at the mo!), and if you're logged in you can add one, because, like everything round here, it's user generated. So dive in, preferably using the format we've already created.

You can list events like training courses, film festivals, screenings, shoots (come and help!), workshops and wrap parties. And if you have a venue - a cinema, bar, pub, theatre, gallery, warehouse, etc - you can add your details and an image, regardless of whether you are already hosting film events or not.

We hope you like the interface - it's running on Schuh's EventList.

- 97% of films downloaded are illegal

- 10% of films viewed are non-mainstream

- 45% are sastisfied with choice of films available at cinema

Brendant Tate, for Newcastle College and Hello Ideas, has compiled the early results of his survey into cinema-going habits amongst young people and students.  Published for the first time on Netribution, the results comee from 75 face-to-face interviews, and will hopefully exist in an online form here soon.

“Asking questions is widely accepted as a cost efficient way, of gathering information of past behaviour and experiences, private actions and motives, and beliefs, values, and attitudes.” (Foddy, 1994)

On the following page are some diagrams, which represent the results from the questionnaire, which I distributed as part of the market research for my event.  The market research is on going; these results are based on the answers from 75 questionnaires.  I hope to be able to report on my final findings with twice the amount of data.  The sample group has been taken from outside the Newcastle University, Newcastle College media department, in Marco Polo restaurant, and in the R&B workplace.  This has given me a sample group that represents males, females, students and full-time workers equally, with ages ranging from 19 to 50.

Fresh back from a whistle top promotional tour where he faced a grilling by hundreds of journalists, Simon Pegg stepped straight into his latest role – playing a celebrity obsessed magazine writer who has a terrible knack of upsetting everyone including the people he’s sent to interview. In How To Lose Friends And Alienate People, Pegg plays British hack Sidney Young who lands a highly coveted job on an upscale Manhattan based glossy called Sharps. But his dream of finding himself on the inside the glamorous world of premiers, parties and rubbing shoulders with beautiful starlets goes disastrously, hilariously wrong thanks to a series of spectacular gaffs.

“It was interesting because I started the film directly after doing a big block of press for Hot Fuzz so I had literally just been in contact with about 600 journalists,” says Pegg.

“So it was fascinating and funny and not as weird as you might think it was. I didn’t suddenly think ‘oh I’m on the other side of it now and now I understand them.’ I think journalists are individuals and I wouldn’t presume to say they are all the same.

How To Lose Friends And Alienate People is loosely based on British journalist Toby Young’s memoir of his time working on Vanity Fair magazine. But, as Pegg points out, although the book is the inspiration, the film is vastly different.

“The film is very much an adaptation of the book and I’m keen to stress that,” says Pegg. “The book doesn’t really lend itself to being a film in a sense, because it’s very anecdotal and it’s filled with huge tracts about philosophy and it’s very much a book and an enjoyable one, but in order to make it into a film Peter (Straughan, screenwriter) had to shape it as such so it is pretty different.”

• John Henshaw joins cast of Rochdale Pioneers, about birth of Co-op movement