Allan
Kaprow (August 23, 1927 - April 5, 2006) helped to develop the
"Environment" and "Happening" in the late 1950s and 1960s, as well as
their theory. His Happenings - some 200 of them - evolved over the
years, and attempted to integrate art and life by blurring the
separation between life and art, and artist and audience. He has
published extensively and was Professor Emeritus in the Visual Arts
Department of the University of California, San Diego. Kaprow is also
known for the idea of "un-art", found in his essay "Art Which Can't Be
Art".
"Happenings are notoriously difficult to describe, in part
because each was a unique event shaped by the actions of the audience
that participated on any given performance. Simply put, Happenings,
such as Household from 1964, were held in physical environments
– loft spaces, abandoned factories, buses, parks, etc. – and brought
people, objects, and events in surprising juxtaposition to one another.
Kaprow views art as a vehicle for expanding our awareness of life by
prompting unexpected, provocative interactions. For Kaprow, art is a
continual work-in-progress, with an unfolding narrative that is
realized through the active participation of the audience." (from
ArtMuseum.net)